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Pepper’s Lonely Hearts Club Band, an RSO musical extravaganza in which they’ll costar with Peter Frampton. In September, October and November they’ll be on location for the filming of Sgt. In July they will go to Toronto to record the soundtrack. Live, and writing material for Saturday Night Fever, a film Stigwood is producing for Paramount. It is now early February since the beginning of January the Bee Gees have been polishing their new album, Here at Last. “Well,” Robin retorts, “there’s nothing else to do.” “You must find yourself spending a lot of time on the music,” Coury observes. It is Stigwood’s office, and it has been mostly empty for about five years now.Īt the moment, however, Al Coury, president of RSO (Robert Stigwood Organization, naturally) Records, and Robin Gibb, one of the Bee Gees, are sitting in two of Stiggy’s leather chairs having what Robin would call a “chin-wag.” This particular chin-wag is focused on the Bee Gees’ studio work in progress at the Honky Chateau in France and on the lifestyle that prevails there.Īl Coury, inquisitive on his first visit to London since taking over RSO Records a year ago, stands up to sniff the air in Robert’s office. His staff carries on bravely, but there’s an emptiness they cannot fill, an emptiness which takes the form of a large rear office on the first floor – the office with the crystal chandelier, the fake fireplace and an inch-thick slab of glass, set atop four stone lions, which serves as a desk. The man they bought it for is Robert Stigwood.īut Stigwood hasn’t spent much time in London lately the pressures of running an international entertainment empire keep taking him to New York and Los Angeles and Bermuda – places like that. What they mean is that this is the house that Cream bought. It predates Cream by quite a bit, actually, but that’s not what they mean. LONDON - 67 Brook Street, Mayfair, is sometimes referred to as the house that Cream built.